composition consists of the digital recording, archiving, and mixing of all vertical and horizontal lines from Mondrian’s paintings. Presented in a wide horizontal format, the projected lines move at a continuous speed and in chronological order from left to right and back again. When two identical lines meet, their speed and direction of movement change. Through this programmed interaction, the lines, moving through space, gradually lose their original “order.” A progressively unpredictable sequence of visual patterns emerges. The visual experience is accompanied by sound: a series of noises and sonic fragments from George Antheil’s Jazz Sonata (1922), triggered at the moment the lines collide.

This project is presented as part of the Latin American festival Onda Latina.